Things I Enjoy : Photo Workshops

As I have a lot of time due to the COVIDs, I wanted to bring back an old type of post – Things I Like/Enjoy.

I know this may not be a strange thing to say, but, I enjoy photo workshops.

This can be broken down into three main reasons: Knowledge, comradery, and difficult places to get to.

I am not a full time photographer. Sure, it sounds like it would be nice to be a full time photographer, traveling the world, meeting up with a network of friends. However, most of us who really enjoy photography are not able to, or do not wish to, make it a full time job. In order to really learn a location and get to know where and when to be in different areas, you generally need to visit a location over and over with multiple visits over many years. This can be a huge time commitment.

This is the first reason I really like photo workshops – they are normally arranged to coincide with things you may not think about. The Milky Way rising in just the right spot and a new moon, the peak of fall colors, the historically best time to see the Northern Lights, a full moon rising above a well known landmark, the arrival of a large flock of birds, etc.

A good workshop leader should also have experience to help you with your camera and ideally post-processing software as well. This is great for someone who is starting out – you will likely walk away from the trip with some amazing images. While you could hire a local guide, this can get expensive and misses out on my second reason for joining a photography workshop.

The second reason is the comradery. This is not something which you can understate. Having a 5-10 day trip with others who really enjoy photography in an amazing area is a great experience. There is also the motivating factor. When I’m out on my own, I may look out the window and decide it is just too early, or there are too many clouds, or some other excuse and skip a sunrise. When I’m with a group, I wouldn’t even think about skipping a sunrise, even if it looks like it will be a bust. While on a photography trip/workshop, I personally have only ever skipped one event, it was a sunrise, my 15th in Hawaii, and we had been out until 3am the previous night. In this case, I didn’t miss anything. Part of this not wanting to skip an activity may also be because you are paying to be there.

The third reason, and this one is my newest to the list, is getting to hard to reach locations. In 2016, I had the good luck to go on a Rafting Trip for Photographers run by Gary Hart, who lives in Sacramento California. While this was very similar to a normal Grand Canyon rafting trip, almost everyone in the group was a photographer. So while the raft behind us had several people trying to see how much alcohol one could consume and not die, our group was always awake in time for breakfast and always had our gear ready to leave before the time we needed to pack up the rafts. We also made some changes to the schedule to try to be in certain locations for certain times of day. Could you get most of this on a normal raft trip? Probably. Would people stay out of your way and not get mud and dirt in the pool where you are photographing? Probably not.

Group picture in the Grand Canyon. Deer Creek Falls is in the background.

Since this was a charter, we were also allowed to carry more weight. Normal trips limit you to 20lbs of equipment. For this trip, we were allowed to carry 30lbs, which includes cameras, cloths, medicines, etc. The extra 10lbs was definitely needed, since cameras tend to be about 3lbs for the body alone.

Red Island (Røde Ø), Scorsbysund, Greenland, near the village of Ittoqqortoormiit

My other trip with logistical challenges was in 2017 for a trip to the Scorsbysund Fjords of Eastern Greenland. This trip was organized by the world-renowned Joshua Holko out of Melbourne Australia. For this trip, he not only booked the entire boat, ensuring that no one had to share a cabin with anyone else and that there was always enough space on the zodiacs for everyone to go out on every trip, he also chartered the plane. It also meant that the luggage weight limits were not enforced. Many in the group had ‘carry on’ bags with their own seat.

A fully loaded camera bag, much like what I carried to Greenland

This trip also had one of the most frightening events I’ve experienced on a photo trip – the collapse of 1 billion cubic feet of ice into icecube sized chunks. There is a video of this, and it will likely be a future post.

For Greenland, the trip simply could not have happened in the way it did without it being a custom charter organized by a photographer. If it were a normal trip, there would have been nearly twice as many people on the boat, and there would have been more people than could fit in both zodiacs at the same time. This means that, for every iceberg cruise, about half of the people would need to stay on the boat.

As the Greenland trip revolved around photography, this also meant that dinnertime could be changed to fit the photography goals. On most trips, dinner happens at a certain time, even if the sunset is amazing.

Over the last 3-4 years, I’ve found the knowledge aspect of a workshop to be a smaller driving force. I’m very comfortable with my camera and software and can generally get what I want out of a scene. Sure, it helps to bounce ideas off of someone else, but that alone may not justify the price of a workshop. It has become easier than ever to find a location and when to be there via other means (search engines and photo sharing sites).

For an excursion-type trips run by a photographer, where the experience is otherwise difficult to have, locations can be fairly difficult to get to, and the logistics would be challenging, these trips are still very valuable for me.

-Brad

How I Mark My Items for Quick Visual Identification

This is a quick post on how I know what stuff is ‘mine’ as quickly as possible.

About 4 years ago, I was on a trip where I anticipated that everyone would have similar items.  I wanted to ensure that I could quickly, visually, identify what was mine as fast as possible.

I used brightly colored hot pink Duck Brand Duct Tape.

The pink was used on my tripods and cameras.  This can be seen in this photo from the Grand Canyon.  May 2016.

And also this image from a sunrise in Australia.  Aug 2016.

So why do I do this?  The short answer, is so that I can spot my own stuff from far away.

Loch Ard Gorge on the Great Ocean Road, Australia in 2016

Very rarely have I seen anyone else use the same color to mark their things.  It was only once, when arriving in Sydney Australia that I saw other people using similar color to identify their items.

On one of my trips, I had some of the same bags as the trip leader, except mine had a large ‘M’ in pink duct tape.  At the end of the trip, while we were all somewhat tired and ready for rest, the trip leader, who had the same bag, grabbed my bag off of the bus instead of his own.  I simply said ‘Hey Gary, that is mine’, and when seeing the pink duct tape he said ‘Oh wow sorry’ and handed me my bag.  It was an honest mistake that was solved quickly by my pink duct tape marking system.

In the rain, rocking the pink duct tape

Since then, I always use the same system to mark my things.  I am frequently on trips where people tend to buy the same brands of gear, so an easy way to tell ‘that is mine’ is very, very useful.

Until next time.

-Brad

Brad’s Travel Tips: Paper is still King

While I do not intend to make this a travel blog, I do have a lot of travel tips that I would like to share.

Paper, especially printouts of your reservations, is something I never travel without.

Whenever I am going on a trip, especially a long or international trip, I always carry paper copies of my flight and hotel reservations. These are separated into ‘transportation’ (airplanes, rental cars, trains, etc) and ‘lodging’ (hotels, campgrounds, etc). They are then placed, in order, into a holder with 2 clear pouches on each side.

As the trip progresses, I move the paper – by placing them into another bag or discarding them. For anything with personal information (airplane reservations often have your frequent flyer number, address, e-mail), these I save and shred when I get home.

If the trip is very long, with many transfers, I may print out 2 copies of my flight and place one on the top and one on the bottom of my ‘transportation’ pile.

This is something I have done for years and have even shown to others. While most people think it is a bit silly or over the top at first, once they try the method, they keep using it. I’ve even been told that it is unusually organized for my personality. Thanks, I think.

All of this has saved me a few times. The most recent was a few years ago when I was traveling to New Zealand from Australia. As I was flying in one airline and out on another, immigration didn’t have a record of me leaving the country. Since I had the printout of my departing flight, the situation was resolved very quickly.

Paper print outs can be handy. Mobile devices can have batteries die, or have limited service. You don’t want to be in a situation where you need evidence that you have a connecting flight, and you have a dead battery in your phone.

Hope it helps!
-Brad

2019, a Review

I always like to put a technical look into the year before and try to summarize it in the first 3 months of the following year.

The Technical Stuff

In 2019, I created 21,940 photos and about 48 videos. This makes 2019 my 2nd most prolific year, behind #1, 2016 (the year where I went skiing for New Years, visited the Big Sur coast in California, spent 5 days rafting down the Grand Canyon, went to the Olympic Peninsula, and spend a month in Australia and New Zealand). 2019 is the first year where my photos used more than 1 TB.

So many photos…

2019 was defined by 3 large photo events. #1, like 2018, was the National Cherry Blossom Festival in Washington DC. #2 was a 2-week trip to the Faroe Islands and Norway in August. #3 was a trip over New Years to Banff, AB, Canada. #3 will show up on the 2020 year in review as well.

2019 has some smaller events as well. This included a trip to several historic rail roads in Pennsylvania (Jim Thorpe, Strasburg), several trips to the beach, and a Hot Air Balloon Festival in Lancaster.

Unfortunately, I was unable to visit Longwood Gardens for the Christmas Lights this year. Oh well, maybe in 2020.

Not shown, a GoPro, because LightRoom cannot open the video files

In terms of cameras used per year, this is the first year my D850/D800 won. In 2019, I clearly preferred my newest camera over the D750 for 2016-2018. These results surprised me, because I thought they would be closer together. I think there is a reason for this, which is revealed in the next section. For the first time since 2009, my D300 is not on the list. Guess it might be time to get rid of it.

Lenses per year gives some insight into the camera per year

Wait a minute, my most used lens was a 200-500mm? Where did that even come from?

The 200-500mm lens was a new purchase for 2019. It was primarily purchased for the previously mentioned Faroe Islands trip in order to chase puffins. This is also the reason the D850 had more photos in 2019 – the autofocus on the D850 is just better, and puffins are notoriously obnoxious to try to shoot. The majority of those 6471 images are of puffins. The rest are, mostly, me attempting to shoot images of the moon.

My second most used lens was last year’s most used lens, the 24-120 f/4. What can I say, it is a really good lens for when I want to save some weight. The third most used lens was last year’s number 2, the 24-70 f/2.8. Guess I really like this focal range.

Everything else was about in line with the usage in 2018.

The breakdown of Camera:Lens Combination is:

D850/D800

D750

I don’t usually look at these results before writing this post. This actually surprises me. The really surprising part is how little I used the D750 last year.

The Good Stuff – New Stuff

As previously mentioned, in 2019, I aquired the Nikon 200-500mm f/5.6 lens and a GoPro Hero 7. And yeah, I now own a selfie stick too.

The Good Stuff – Travels

I mentioned this above, but, 2019 was a lot of smaller weekend trips, with a really big trip to the Faroe Islands and another one to Banff.

The Bad Stuff – Gear Repairs

For the first time ever, I had a non-warantee repair on a camera lens. My camera bag, unfortunately, fell out of my car. The 14-24 lens was damaged and needed to be serviced at a Nikon repair center. It was quite expensive, but the service center did a really good job and the insides work like it was new.

The Bad Stuff – Missed Goals for 2019

I was not able to meet my goal of learning how to produce videos better nor generating an income from photography. While I realize it is a poor craftsman who blames his tools, one of the reasons I’ve struggled with video is because my laptop, which is a now-3 year old Lenovo, simply struggles too much to make videos consistently.

2020

For 2020, my plans are this:

1 trip currently being planned – Cherry Blossoms in DC in the March-April timeframe.

Goal: Actually start to make some money, whether it is stock photos or something else.

Goal: Update the blog more often. Learn how to use Gutenberg, which has replaced the old WordPress post editing system.

Goal: Work on learning how to make videos, maybe even launching a YouTube channel.

Stretch Goal: Work with a brand to showcase their gear in amazing locations.

To the future-
-Brad

2018, A Review

Better late than never.  A look-back at 2018 and the photos I took during that year, from a technical an analytical perspective.

I originally wrote this in February of this year, but never published it.  I’ve done light editing, but left the rest as it was.

In the second of my look-back posts, I’m going to try to cover the events of my last year in Photography.

The Technical Stuff

In 2018, I created 15,014 photos and 131 videos.  This makes 2018 my 5th most prolific year, behind #4, 2010 (the year I spend 18 days in Hawaii).

ImagesPerYear

Unlike past years, 2018 did not have a single dominant trip.  There were 3 events in 2018, the National Cherry Blossom Festival in April, a week long trip to Utah in July, and the local Pennsylvania Christmas Celebrations at Longwood Gardens and Bethlehem in November/December.

CamerasPerYear2019

For the cameras used per year, I clearly favored my D750 for the 3rd year in a row.  But for the second year in a row, the reason is somewhat clear.  I use the D750 for star trails/low light situations where only the D850 can come close.  Since the D850 is a purchase late in 2018, we’ll have to see what happens in 2019.  I still prefer the D750 for my first time exploring an area due to the weight.  I frequently combine the D750 with the 24-120 f/4.0 due to the high quality and lower weight.

LensesPerYear2018

My lens usage in 2018 wasn’t even close.  The 24-120 f/4.0 lens was by far the favorite, accounting for nearly half of the photos taken last year.  It really is a solid N-Series lens from Nikon, and it has really become a favorite, all-around, no-compromise lens for when I can only carry a single lense.  It is also the cheapest of my N-Series lenses, as it was sold in a kit with my D750.

The other lens I want to call attention to is the 28-105 f/3.5-4.5.  This is my oldest lens that I still use.  It was the one that Ken Rockwell once called the worst lens Nikon has ever made.  I love it.  It is far from perfect, but it has a macro mode that produces some great images.  These are from a D750 and D300 (itself a 10 year old camera) from 2018.

_DSC8696

_DS38883

I have had this lens in constant usage since 2002, when I bought it as a pair to my Nikon N80, a film camera, for my college photography class.

The breakdown of Camera:Lens Combinations is:
D800/D850

Lenses8008502018

D750

Lenses7502018

While my D850 is more or less a replacement for my D800, in November and December, I did find myself using the D850 in the very low light conditions where I would previously have used my D750.  I think the results for 2019 will be interesting.

The Good Stuff – New Stuff

As mentioned above, in 2018, I was finally able to acquire a Nikon D850.  Due to the release of the Z-series, this may be my last Digital SLR, but time will tell.

The Good Stuff – Travels

In 2018, I only had 2 trips.  The first was a long weekend to Washington DC for the Cherry Blossom Festival, something I hope to do in 2019 as well.  The second was a week long trip to Utah for the Milky Way.  This trip was somewhat of a bust, but it did result in one of my favorite trips of 2018 and one where I learned a lot about lightning photography.  I plan on going back to Utah in 2020 to try again.  My trip was with Enlighten Photography ( https://www.zion-photography.com/ ) out of Zion National Park, a company I highly recommend, and a company I will be using in the future.

The Bad Stuff

Knock on wood, there was nothing I would consider the ‘bad stuff’ in 2018.  I did get somewhat unlucky in Utah – in that I did not get my target images – but I still got some phenomenal images and the trip was worth doing.

I did not, however, accomplish my 2018 goal of getting great video produced.  I also was unable to make progress in making photography a side job.

2019

As of now, my plans for 2019 are this:

2 Trips – Cherry Blossoms in DC in March-April timeframe.  Faroe Islands in September timeframe.

My 2019 goals are: Generate income from photography that pays for the trips, and learn how to better produce video because video seems to be important.

My 2019 stretch goals are: Work with a corporate sponsor to showcase their gear at an amazing place.  I managed this image, but Eddie Bauer (maker of my jacket, I love this jacket) did not reply – https://www.instagram.com/p/BlZhrP5h3oA/ .

To the future-
-Brad

2017, A Review

In what I hope to make an annual thing, I’d like to use this post to look back over 2017.  The travels, what cameras/lenses I favored, and what my favorite images of the year are.  Here we go, starting with the most straight forward items.

The Technical Stuff

In 2017, I created 21,446 photos and 268 videos.  This makes 2017 my second most prolific year of photography, after only 2016.  It was only slightly above 2011, which is now in 3rd place.

Images Per Year

2017, like 2016, was dominated by a single trip – in this case, my trip to Greenland.  This trip was responsible for 13,298 of the photos and videos.  2017 was otherwise a very low-photo year.  My lowest since 2012, when I last moved across the country.

For cameras per year, it is clear, I favored the D750 over the D800, which is the second year in a row.

It really wasn’t even close.  I think the weight of the camera, combined with the high burst rate really led me to favor this camera.  I also like to use this camera for night time time-lapse/star trails, which artificially inflates the camera usage – 1000 photos taken may only result in 1 final image.

The Leica is the only camera on the list that I do not own.  I had the chance to use it for an afternoon, which was a ton of fun.

My favorite lens for 2017 was the Nikon 70-200 f/2.8, followed closely by the Nikon 24-120 f/4.  It actually surprises me that the 70-200 is so high up on this list.  This is due to my Greenland trip where I heavily favored this lens.  The Greenland trip was responsible for 5481 of the 6984 photos taken with this lens in 2017.

I know that simply a large number of images doesn’t equate to a large number of images you like.  A large number of images only means you consume a lot of space on external disk drives, which 2017 certainly did.  2017 consumed 814 GiB, which is certainly a record for me.

The breakdown of Camera:Lens combinations is:
D800
D750

 

Originally I was going to put my favorite images of 2017 in this space, but I’ve decided to hold that for a new post in the next week or so.  Knowing me, it will take longer, but we shall see.

The Good Stuff – New Stuff

2017 was a small year for purchases.  I purchased a new camera bag for international travel and a new travel laptop.

The Good Stuff – Travels

My trip to Greenland was by far the largest excursion of 2017.  Other than this trip, I had a weekend in Utah; some day trips in and around Seattle; and some visits to family that allowed me to take some photos.

The Bad Stuff – Repairs and Damage

I hope this section doesn’t have large entries every year.  But this year has a frustrating entry.

This year, my D750 was subject to a recall on the shutter.  When I received the camera back after the first repair, there were issues with the reassembly of the camera.  It had to go back in to be reassembled properly.  I was lucky, as the camera nearly didn’t make it back to me for my Greenland trip.  But, I am also thankful to Nikon who went out of their way to ensure that happened.  I am also quite thankful that my D750 has a brand new shutter.  While my D750 has taken nearly 30,000 photos, the shutter only has around 6900.  The D750 will likely continue to be in use for 3-6 more years.

Outside of this, my gear experienced nothing more than normal wear and tear.

2018

Let’s now look at my plans for this current year.

Due to job-related reasons, I’ve relocated from the PNW to Pennsylvania.  But I’ve found a nice place near my new job and not too far from the outdoors.  So I’ll be photographing a new area of the country with new parks and things to explore.  I’ll also be visiting the Atlantic Ocean, which is fun.

In 2018 I hope to have a few more business-oriented aspects to my photography.  Until now, it has been mostly for fun.  In this new year, I hope to pursue tasks which offset the cost of my camera gear and travels.  More details as they become available and I can actually make them happen.

I’m also testing the water with video and learning the basics of producing a video.  I have an idea that I hope to launch in 2018.

Until the next post

-Brad

Brad’s Quick Travel Tip #2 – Avoiding Long Flights

The inspiration for this post comes from my father.  In a recent conversation, my father said that he would never visit Australia, simply because he never wanted another 15 hour flight.  I showed him how you can get to Australia without any flight over 8 hours.

The secret for USA to Australia and New Zealand?  Hawaii.  From anywhere in the USA, you can get a ~6 hour flight to the West Coast (LA, San Fran, Seattle, etc), where it is a ~6 hour flight to Honolulu (HNL) Hawaii.  Auckland, New Zealand (AKL) or Sydney, Australia (SYD) are a relatively inexpensive 7-8 hr flight from HNL.  Or if you’d prefer, Denver (DEN) to Honolulu (HNL) is about 8 hours.

Alternatively, HNL to Japan’s Tokyo Narita (NRT) is about 8 hours as well.  Although this is probably not worth the effort, as NYC (JFK) to NRT is about 12 hours and Seattle (SEA) to NRT is about 10 hours.

On the other side of things, a person living in Sydney Australia can get to Europe without any flight over 8 hours.  This person would go SYD to HNL (many airlines, including QANTAS, Jet Star, Hawaiian), HNL to SEA (Hawaiian or Alaskan), SEA to KEF (Keflavik, Iceland on Icelandair), then finally KEF to anywhere in Europe.

This tip likely works best for Americans.  Due to flight schedules, there may be a 24-48 hour layover in Hawaii, which is such a terrible thing.  I am aware that most non-Americans do not like doing international transfers through the USA.  But no matter who you are, it is an option.  And if you do not like the long haul flights, this is an option to avoid them for a large portion of the world.

Until next time-
-Brad

Brad’s Quick Travel Tip #1 – American Airlines

I recently traveled on American Airlines and I discovered something interesting.

I live in Seattle, and as a result, I have a Frequent Flyer card for Alaska Airlines.  Alaska and American have a new partnership.

As a result of this partnership, having an Alaska Airlines MVP number, grants you early boarding on American Airlines.  I have the base status on Alaska, but, I was still able to board the plane before about half of the rest of the plane.  American boarded their higher tier frequent flyer, high tier people in the OneWorld frequent flyer plans, and First/Business class before me, but I boarded before the people who purchased regular tickets, with the AAdvantage ‘Gold’ status members or OneWorld ‘Ruby’ status members.  See here – https://www.aa.com/i18n/travel-info/boarding-process.jsp

So, if you are traveling in coach, do not otherwise have any airline status, do not intend to build miles on American or OneWorld airlines, and are not flying in business/first, you can sign up for the Alaska MVP program and board before most people.  It doesn’t cost anything, and it does not even require you to have ever flown on Alaska Airlines.

Enjoy!
-Brad

Photographing the Grand Canyon – Matkatamiba Canyon

I was recently fortunate enough to be able to travel down the Colorado river and photograph the Grand Canyon.

One of the lunch stops on this trip was at Matkatamiba Canyon, which is at mile 148, just before the Matkatamiba Rapids. Our goal was to make it up to one of the waterfalls in the slot canyon and photograph it. Due to how this canyon winds around, it can support a lot of photographers at once at most locations.

Upon arrival, we found the entranceway had deeper water than there was in previous years.

This was not off to a good start. We had to cross a neck deep path with camera gear. While I may have been able to make it, some of the shorter members of the group would not, or at least their camera gear would not.

The solution was to use some of the folding tables as a bridge.

Some of the other people in the group decided to climb the rocks and make it over. Being taller, I took the option of holding my camera gear over my head and wading through the creek.

After passing through this creek, there were two waterfalls to climb. While this first one doesn’t look like much, the right side was extremely slippery, and, at least two people fell. One person managed to have their camera call into the water, but, it was an older Canon 1D series, so it was fine after it dried out a bit.

After this waterfall, there was a chest deep section, followed by a waist deep section, followed by another waterfall to climb. I do not have any pictures of this last waterfall, because there were a bunch of people trying to photograph it, and I wanted to get out of their frames as fast as possible.

At this last waterfall, the slot canyon narrows greatly. I was able to take a quick stop about 1/3rd of the way up to take this photo. There was a small pool here where I could take a small break from the climb.

I was now at a point where only a handful of people would try to venture. Once I got to the top of the stream, I took a look around the corner.

This looked quite nice, and very well could have been my shot. I decided to set up and take a few shots while deciding how much further I wanted to go.

As I was debating whether to continue up or turn back, some other members of my group showed up. One of them climbed up and let us know we were about as far as you could go. I decided if I was almost there, I might as well go to the top. So I did.

About the time I got to the top, a few people were ready to leave. The guides then showed up, having taken a goat trail to get there. They helped a few members of my group get out and head up the trail. A few members of my group decided to start to venture back down the creek. I then had it all to myself.

Since I had all of my camera gear, and a great little spot all to myself, I decided not to waste it, and, carefully set up my camera. At the bottom of the area, there is place to put bags down and keep them mostly dry. Here, there was no such spot.

The pink duct tape on the camera serves a few purposes. #1 – Identification – by the first day, everyone knew that Pink Duct Tape was mine. #2 – Dust Protection – the Grand Canyon has very fine dust that gets everywhere. The duct tape helped keep this dust out of the sensitive parts of the camera. #3 – Pink = Professional. My other camera was marked with Star Wars Duct Tape, so I could tell them apart at a distance.

And here, after all of that story, is the final image. It only took about an hour in Photoshop to get to this point.

Matkatamiba Top

The top of Matkatamiba

Until next time
-Brad

WiP: Ancient Bristlecone Pine Forrest at Night

I recently returned from California on a photo trip.

One of the stops was at the Ancient Bristlecone Pine Forrest, near Bishop, CA, where I captured this 30 second exposure.

To get this photo, I set up my camera while there was still light from the sun. Then captured a few test shots to see how the framing was, locked the tripod down and ate my dinner.

This is one of the test shots for framing. It is also a 30 second exposure.

Getting the Milky Way next to the tree was due to being prepared. I use an app called Star Walk on my iPhone. There are others, but this is the one I use. Since the app doesn’t need a data connection, only location info, it was able to tell me where the Milky Way was before the sun went down. I then both guessed and advanced the clock on the app to see about where the Milky Way would be in an hour after it was dark. This gave me enough information to line up the frame to get the capture I wanted.

I like the results. The first image only has about 20 seconds of edits in LightRoom, and could use quite a bit more. There is a lot of junk in the frame from other trees in the area. Normally, I would climb the hill to get the right perspective, but, the hill was made of loose shale rock and it was raining. It was not safe enough to take the risk to avoid 20-30 minutes in Photoshop.

So anyways, here is a Work In Progress from a recent trip. I’ll probably have the photos from the trip finished in a few months.

-M